Stack of old books with a black string tied around them, a pen, and photographs on a desk.

Research, Storytelling, and Public History

I’m Kyley Butler, a public historian and researcher with a background in museum studies, heritage interpretation, and community-centered storytelling. Through Quill & Frame, I work with individuals, organizations, and creative projects through thoughtful research, narrative development, and historical interpretation.

My work is grounded in the belief that history becomes most meaningful when it helps us better understand ourselves, our communities, and the stories we carry forward, whether through public interpretation, creative work, or uncovering connections to personal and family history.

About Me

  • My background combines academic training in history and heritage studies with practical experience in museums, archives, exhibitions, and interpretive historical work.

    I earned my B.A. in History and Anthropology from Mount Holyoke College, where I focused on public history, museums, and material culture, before completing an M.A. in Heritage Studies and Museum Studies at University of Amsterdam. My academic work explored how history is interpreted, preserved, and communicated through museums, archives, exhibitions, and public memory.

    Professionally, my work has included exhibition research, interpretive planning, archival and primary-source research, collections and object-based research, educational programming, genealogical research, and project coordination across both academic and public-facing environments.

    I have worked with institutions including Mount Holyoke College Archives and Special Collections, Museum Van Loon, Tacoma Art Museum, and Ramsey County Historical Society.

    My academic and independent research has also involved the study of collections, exhibitions, and interpretive practices connected to institutions such as Mount Holyoke College Art Museum, Mauritshuis, Victoria and Albert Museum, British Museum, Anne Frank House, and other museum and heritage sites across Europe and the United States. This work has informed academic writing, publication projects, interpretive research, and grant-supported historical inquiry.

    I’m especially interested in the ways history is shaped through storytelling, memory, material culture, identity, and place — particularly how historical narratives become meaningful within everyday life and public experience.

  • I approach research and storytelling as collaborative and deeply human processes. Whether supporting a museum exhibition, a public history initiative, a creative project, or personal family and genealogical research, I value work that is thoughtful, accessible, and rooted in care.

    Much of my work focuses on helping historical and archival research feel more engaging, understandable, and relevant to wider audiences. I believe research is most impactful when it not only uncovers information, but helps people feel more connected to the histories, communities, and narratives that shape their lives.

    I’m especially interested in the ways archives, museums, objects, and historical spaces shape public memory and personal understanding. My work is heavily informed by material culture and object-based interpretation, with an interest not only in documents and records, but in the physical traces of history — collections, exhibitions, photographs, architecture, and place-based experiences that influence how people encounter and interpret the past.

    My approach combines archival research, historical interpretation, heritage research, and narrative development with an emphasis on clarity, nuance, accessibility, and historically grounded storytelling. One of the central goals of my work is helping bridge rigorous historical research with accessible public interpretation, creating work that feels intellectually grounded while remaining meaningful and engaging beyond academic spaces alone.

    I also see research as an evolving and collaborative process. Some projects begin with a clearly defined question, while others emerge gradually through conversation, archival discovery, and interpretation. I value thoughtful communication, transparency, and creating space for curiosity and complexity within the research process.

  • Projects I support may include:

    • Family and genealogical history research

    • Citizenship and ancestral documentation support

    • Historical and archival research

    • Public history and interpretive storytelling

    • Exhibition and heritage research

    • Narrative development for creative projects

    • Community-centered historical initiatives

    • Writing, editing, and research support

    If you’re unsure whether your project is the right fit, feel free to reach out. Many projects evolve through conversation, collaboration, and discovery.